The Lab

The Lab is a nonprofit experimental art and performance space located in the Mission District of San Francisco.


Workshop: Making Art During Fascism
Mar
31
2:00 PM14:00

Workshop: Making Art During Fascism

2-4pm
$5-10 donation, sliding scale, no one turned away for lack of funds


Artists are essential in resisting and dismantling fascism. Throughout history and through the present, you instigate, question, provoke; you provide humor, creative impulse, reflection, serenity, validation. In light of our country’s political swing toward white supremacy and hate, artists need the emotional, financial, physical, and spiritual support to sustain their work. You are invited to show up, listen, and share: support, resources, community-building, information, methods to enter movements, and ways to sustain both your activism and your practice. You will receive a free, written guide with tips for making art during this administration. Bring a notebook and something to write with!

Workshop conducted by Beth Pickens: www.bethpickens.com

Image: Tammy Rae Carland: I'm Dying Up Here (Cone Head), 2013; C-print on Fujicolor Crystal Archive paper; 15 x 20 in.; courtesy of the artist and JessicaSilverman Gallery, San Francisco.

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Lawrence English
Mar
29
9:30 PM21:30

Lawrence English

9:30pm Doors / 10pm Sound
$25 General / $15 for Members

Photos above taken by The Lab's photographer-in-residence, Robert Divers Herrick.

Lawrence English is composer, media artist and curator based in Australia. Working across an eclectic array of aesthetic investigations, English’s work prompts questions of field, perception and memory. He investigates the politics of perception, through live performance and installation, to create works that ponder subtle transformations of space and ask audiences to become aware of that which exists at the edge of perception.

 

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Arnold Dreyblatt
Mar
26
8:30 PM20:30

Arnold Dreyblatt

Arnold Dreyblatt (b. New York City, 1953) is a composer, performer and visual artist. He studied music with Pauline Oliveros, La Monte Young, and Alvin Lucier and has been based in Berlin, Germany since 1984. Among the second generation of New York minimal composers, Dreyblatt developed a unique approach to composition and music performance. As he began his music in the late 1970's in New York, he invented a set of new and original instruments, performance techniques, and a system of tuning and has formed and led numerous ensembles under the title "The Orchestra of Excited Strings". In 2007, he was elected to the German Academy of Art (Akademie der Künste, Berlin). He is currently Professor for Media Art at the Muthesius Academy of Art and Design in Kiel.

Arnold Dreyblatt will be giving a talk at 7pm on March 28 at SFAI: http://www.sfai.edu/events-calendar/detail/arnold-dreyblatt

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John Chantler
Mar
22
8:30 PM20:30

John Chantler

8:30pm Doors / 9pm Sound
$25 General / Free for members
Member login
Guest registration

John Chantler is a musician and organizer living in Stockholm, Sweden working with synthesizers, electronics and sometimes pipe organs to explore his own personalized compositional and improvisational strategies — working with and against the specific systems inherent in his chosen tools.

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Martin Creed: Words and Music
Mar
17
7:30 PM19:30

Martin Creed: Words and Music

7:30pm Doors / 8pm Sound
$15 General / Free for members

Join us for an evening with Martin Creed. Those familiar with the Turner Prize-winning artist will know that one of the many engaging aspects of his live performances, regardless of the venue and context, is the unpredictability of the proceedings.

This event is co-presented by The Lab and Kadist, San Francisco. The artist will be donating his fee for this event to the American Civil Liberties Union (ACLU)

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False Starts: Alan Bernheimer, Stephanie Young and Matvei Yankelevich
Mar
14
7:00 PM19:00

False Starts: Alan Bernheimer, Stephanie Young and Matvei Yankelevich

7-9pm, readings start promptly at 7:30pm
$8 entry (no one turned away for lack of funds), free for members
Member login: https://thelab.z2systems.com/np/clients/thelab/login.jsp
Guest registration: https://thelab.z2systems.com/np/clients/thelab/eventRegistration.jsp?event=265&

Alan Bernheimer’s latest collection is The Spoonlight Institute, published by Adventures in Poetry in 2009. Recent work has appeared at annexpress.org and acrossthemargin.com and in Hambone. He has lived in the Bay Area since the mid-1970s and produces a portrait gallery of poets reading on flickr. His translation of Philippe Soupault’s Lost Profiles: Memoirs of Cubism, Dada, and Surrealismwas published last fall by City Lights.

Stephanie Young lives and works in Oakland. Her books of poetry and cross genre writing include Telling the Future OffPicture Palace, and Ursula or University. With Juliana Spahr she co-edited A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine -gun Feminism. She teaches literature and creative writing at Mills College where she was also part of the bargaining team for the first adjunct union contract at the College. 

Matvei Yankelevich's books include the long poem Some Worlds for Dr. Vogt (Black Square), a poetry collection, Alpha Donut (United Artists), and a novella in fragments, Boris by the Sea (Octopus), recently published in a second edition. His translations include Today I Wrote Nothing: The Selected Writings of Daniil Kharms (Overlook), and (with Eugene Ostashevsky) Alexander Vvedensky's An Invitation for Me to Think (NYRB Poets), which received a National Translation Award. He has received fellowships from the National Endowment for the Arts and the New York Foundation for the Arts. He is a founding editor of Ugly Duckling Presse, and teaches at Columbia University's School of the Arts and the Milton Avery Graduate School of the Arts at Bard College.

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Wikipedia Edit-A-Thon
Mar
12
1:00 PM13:00

Wikipedia Edit-A-Thon

Free

The Lab and Art Practical invite you to participate in a Edit-a-thon to contribute to the online presence of under-documented artists, activists, queer elders, women, and people of color. People of all gender identities and expressions are welcome to participate, and we especially encourage women, transgender, and gender non-confirming/non-binary individuals to take part.

Presented in conjunction with Brontez Purnell's film project expanding knowledge on Ed Mock, this is a DIY campaign to improve archives on marginalized populations and address information gaps in our collective knowledge. Dorothy Santos will provide tutorials for those new to Wikipedia and the editors of Art Practical and staff of The Lab will provide ongoing editorial support, reference materials, extra laptops, childcare, and refreshments. Not an editor? Come by to show your support and help with research.

A few things to note beforehand:
1. Bring a laptop and power cord, if you have one available
2. Bring notes and citation materials for your Wiki-entries
3. Set up a Wikipedia account before you arrive

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Brontez Purnell: No New Art No New Dance Festival
Mar
11
10:00 PM22:00

Brontez Purnell: No New Art No New Dance Festival

$5-10 donation, sliding scale, no one turned away for lack of funds

No New Art/No New Dance Fest is a collective queer-centered art / performance / dance party. There has been some confusion about the name: it is not our intent to negate the significance of "new works," but rather to highlight the point that – as artists working across different mediums – it is not our task to re-invent the wheel. Rather we are charged with the Sisyphean labor of just keeping the wheel moving forward…

Performances by:
Channing Joseph
Dia Dear
Ugly
Collaboration between Brontez Purnell, Xara Thustra, Jason Graf

Art by:
Ezra Rabin
Victor Vasquez
Jade Ariana
Jason Graf
Webster Borealis
Fabian Echevarria
Wizard_Trix

Film performance by:
Irwin Swirnoff

A film by:
Yetunde Olagbaju

Screen Tests ($10):
Gary Fembot

DJs:
Trill Team 6
No No

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Norma Jeane: Scene with ShyBot
Feb
27
to Mar 4

Norma Jeane: Scene with ShyBot

Gallery Hours: February 27–March 4; 5:30–7:30pm
Opening Reception: Monday, February 27, 5:30–7:30pm
Closing discussion: Saturday, March 4, 7:30pm–9:00pm

The Italian artist Norma Jeane worked with  CODAME to design a robot that they subsequently liberated in Palm Desert. This robot has no function in the traditional sense. It does not serve us; it probably will not enslave us (perhaps only our imagination). Instead, this robot is programmed to run. To run immediately, with nervous electric heartbeat, in the opposite direction as soon as it senses the presence of a human being. 

On March 4 at 7:30pm, The Lab will host a round table discussion conceived by Tobias Rees on the relationship between human and artificial intelligence. With:

Norma Jeane, artist
Tobias Rees, anthropologist (McGill University)
Federico Faggin,  physicist (Synaptics, Inc.)
Eric Hanson, designer (Codame)

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