The Lab

The Lab is a nonprofit experimental art and performance space located in the Mission District of San Francisco.


Sara Borjas’ Bay Area Book Release: Heart Like a Window, Mouth Like a Cliff
Apr
25
7:00 PM19:00

Sara Borjas’ Bay Area Book Release: Heart Like a Window, Mouth Like a Cliff

7:00 pm doors / 7:30pm show
Free

Hecha en México, Norma Liliana Valdez NORMA LILIANA VALDEZ made her way to California in her mother’s pregnant belly. She is an alumna of the VONA/Voices Writing Workshop, the Writing Program at UC Berkeley Extension, and was a 2014 Hedgebrook writer-in-residence. A member of the Macondo Writers’ Workshop and a CantoMundo fellow, her work appears in The Rumpus, Huizache, Tinderbox Poetry Journal, and the anthology Latinas: Struggles & Protests in 21st Century USA, among others. Her chapbook, Preparing the Body, is forthcoming in fall 2019 from YesYes Books.

SARA BORJAS is a Xicanx pocha and a Fresno poet. Her debut collection of poetry, Heart Like a Window, Mouth Like a Cliff was published by Noemi Press as part of the Akrilica Series in March, 2019. She co-hosts and produces “The Lovesick Poetry Podcast”—a west coast poetry podcast launching in 2019, alongside IRL cousin and award-winning poet, Joseph Rios. Sara is a 2017 CantoMundo Fellow and the recipient of the 2014 Blue Mesa Poetry Prize. Her work can be found in Ploughshares, The Rumpus, Poem-a-Day by The Academy of American Poets, and The Offing, amongst others. She lives in Los Angeles but stays rooted in Fresno. Find her @saraborhaz or at www.saraborjas.com.

MONICA SOK is a Cambodian American poet and the daughter of former refugees. She is the author of Year Zero, winner of a Poetry Society of America Chapbook Fellowship. Her work has been recognized with a "Discovery" / Boston Review Poetry Prize. Other honors include fellowships from Hedgebrook, Elizabeth George Foundation, National Endowment for the Arts, Kundiman, Jerome Foundation, Montalvo Arts Center, MacDowell Colony, Saltonstall Foundation, and others. Currently, Sok is a 2018-2020 Stegner Fellow at Stanford University and a Poet-in-Residence at Banteay Srei in Oakland. Her debut poetry collection A Nail the Evening Hangs On is forthcoming from Copper Canyon Press in 2020. (Photo Credit: Nicholas Nichols). 

MK CHAVEZ is the author of Mothermorphosis, and Dear Animal, (Nomadic Press.) Chavez was a recipient of a 2017 Pen Oakland Josephine Miles Award for poetry, and in the same year, her poem The New White House, Finding Myself Among the Ruins was selected by Eileen Myles for the Cosmonauts Avenue Poetry Prize. In 2018 Alley Cats Books published her lyric essay, A Brief History of the Selfie as a chapbook. She is or has been a fellow with CantoMundo, Hedgebrook, North Street Collective Resident Program; she is co-founder/curator of the reading series Lyrics & Dirges, co-director of the Berkeley Poetry Festival. Her most recent publications can be found in bags of coffee from Nomad Coffee and on Academy of American Poets, Poem-A-Day as the featured poem for December 19, 2018.

LETICIA HERNÁNDEZ-LINARES is a poet, interdisciplinary artist, and author of Mucha Muchacha, Too Much Girl.  Widely published, she is also the co-editor of The Wandering Song: Central American Writing in the United States.  A recipient of four San Francisco Arts Commission Individual Artist grants, she has lived and made art in the Mission District of San Francisco for over two decades. She is a long time educator and community worker and teaches in the College of Ethnic Studies at San Francisco State University. Visit her: joinleticia.com   

Originally from San Francisco, TONGO EISEN-MARTIN is a poet, movement worker, and educator. His latest curriculum on extrajudicial killing of Black people, We Charge Genocide Again, has been used as an educational and organizing tool throughout the country. His book titled, "Someone's Dead Already" was nominated for a California Book Award. His latest book "Heaven Is All Goodbyes" was published by the City Lights Pocket Poets series, was shortlisted for the Griffin Poetry Prize and won a California Book Award and an American Book Award.

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Darius James and Val Jeanty
Apr
19
7:00 PM19:00

Darius James and Val Jeanty

7:00 pm doors / 7:30pm show
Free admission
Presented in collaboration with The Poetry Center and supported by the Walter & Elise Haas Fund 

Darius James (author of Negrophobia: An Urban Parable and That’s Blaxploitation!; writer and on-screen narrator in documentary film The United States of Hoodoo) joins with Haitian electronic music composer/percussionist/turntablist Val Jeanty (aka Val-Inc) for the West Coast premier of their collaborative performance project.

“Our work is Spiritual so it will take on a form and name as we progress.” Val Jeanty

“Val and I agreed early on it was much more important to develop the work before we gave a name to our project. Though we have been working on this for a few years, only recently have we begun defining what it is. The only thing we knew, it was spoken-word married to ritual drumming and it was based in an authentic expression of Voodoo. Voodoo is very simple. It is spirit and the interaction with spirits. Voodoo has a bad rep because 1) the French are embarrassed they lost the jewel of their colonial empire to ‘ignorant savages’ (see: Hayti: Or, the Black Republic); 2) An alcoholic journalist in the late ’20s kickstarting present-day disinformation (see: The Magic Island by Wm. Seabrook). The truth is its spiritual reality and beauty is no different from Hinduism or Tibetan Buddhism (it just might take a dead chicken or two to get there). What Val and I have observed is that the loa are readapting and changing (the old cycle of death and rebirth of the gods). We reflect that change.” Darius James

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Damon & Naomi
Apr
17
8:30 PM20:30

Damon & Naomi

8:30pm doors / 9:00pm show
$15 general admission / $10 members
Tickets available at the door

Damon & Naomi’s 21st century songs may be a bit more musically complex than their albums made for Sub Pop in the 1990s, or their recordings with Galaxie 500 in the 1980s, but as journalists (and twin sisters) Jenn and Liz Pelly point out in collaborative liner notes that accompany this release, there are strong continuities with the mood of those earlier albums. “In their acoustic dream pop, inspired by poised English folk, I hear composure and also intensity; delicacy and also rigor; a hushed quality as well as strength, which is to say stoicism. I hear grace and what makes grace so emotionally necessary. Theirs are magic-hour songs, pushing the dualities of our emotional lives into stark relief,” says Jenn.

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Universal Eyes (Wolf Eyes with Gretchen Gonzales & Aaron Dilloway) and Red Culebra (Guillermo Galindo & Cristóbal Martínez)
Apr
6
8:00 PM20:00

Universal Eyes (Wolf Eyes with Gretchen Gonzales & Aaron Dilloway) and Red Culebra (Guillermo Galindo & Cristóbal Martínez)

$15 general admission / $10 members
Doors 8pm / Show 9pm
Reserve seats: member login or guest registration

UNIVERSAL EYES is the culmination of UNIVERSAL INDIANS and WOLF EYES. UNIVERSAL INDIANS started in Lansing Michigan in the early shadows of the 90’s, with Gretchen Gonzales (now Gonzales Davidson), Bryan Ramirez, & Johnny “Inzane” Olson. After moving to the Detroit area in the late 90’s, Rammer was replaced by Aaron Dilloway, who along with Nathan Young were already in the throes of primitive electronic global domination that is WOLF EYES. Around the dawn of the 2000’s, Gretchen went full time with the moody & cold stylings of SLUMBER PARTY and after a wild Bowling Green Ohio gig, Olson joined WOLF EYES full time. After some drama that would make even Fleetwood Mac disappear into the shadows of suburbia and toss their EQ into a lonely fire, UNIVERSAL INDIANS appeared to have fate / faded into the packed history book pages of Michigan musical lore. As age and time seem to dust over wounds while magically healing them, the quartet met again in the northern suburbs of Detroit on a brisk spring Sunday in 2018. They hauled modern and ancient instruments into a home studio and just like that: the dream / nightmare had hot blood pumping thru its’ duct-taped sound body once again, as if the missing years were nothing but a minute hurdle. The kings and queen of noise were reunited.

RED CULEBRA is a Moog duet and collaboration of Bay Area electronic musicians and performance artists led by gal*in_dog aka Guillermo Galindo and Cristóbal Martínez. Accelerations across all vectors of society, warfare, and capitalism evoke a byproduct ritual of sexual and sonic violence that lays unresponsive to new age fetishes, magical realism, and the parochial moralities of American politics. Inspired by their complicated Post-Mexican backgrounds, Galindo and Martínez create and perform rituals based on cycles of repetition and uniformity. The sonic, graphic, and repetitive nature of their work requires both endurance and determination from their audiences, while denying participating publics the opportunity to fetishize ceremony. Red Culebra’s performance art includes sound invocations, moving images, and movement by performers. This ceremony is monotony sustained by pragmatism and our baser instincts, a public gathering for acknowledging human ferocity — a self-implicating metaphor for our enduring and determined appetite.

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