The Lab

The Lab is a nonprofit experimental art and performance space located in the Mission District of San Francisco.


Ka Baird & John Saint-Pelvyn
Oct
16
8:00 PM20:00

Ka Baird & John Saint-Pelvyn

8pm Doors / 8:30pm Sound
Tickets $18 (discounted or free for members)
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By purchasing a ticket, you agree that you and all guests are fully vaccinated. Masks will be required inside. The Lab will be limiting attendance to half capacity for all events and providing full refunds / live streaming options for guests who experience symptoms of illness of any kind. Email us at thelabsf@thelab.org with questions.

Ka Baird is an American multi-instrumentalist, recording artist, producer, and performer based in New York City. She is heralded for her raw, ecstatic, boundary pushing live solo performances involving highly energetic experimental body movements, extended vocal techniques and mic use, luminous driving flute meditations, and innovative use of live electronics. She creates a radically present tense and vigorous type of “body music" that seeks extreme release through physical exertion and psychic extension.

Guitarist, singer, and player of some species of dismantled electrified folk, John Saint Pelvyn is a musical enigma of the best kind. At the root of his playing is something akin to fingerstyle blues, but rich with quivering whammy bar wobble and shimmering feedback which he seems to harvest from the air using his guitar like a musical dowsing rod.

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Arto Lindsay
Oct
9
7:30 PM19:30

Arto Lindsay

7:30pm doors / 8:00pm show
Tickets $25 (discounted or free for members)
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By purchasing a ticket, you agree that you and all guests are fully vaccinated. Masks will be required inside. The Lab will be limiting attendance to half capacity for all events and providing full refunds / live streaming options for guests who experience symptoms of illness of any kind. Email us at thelabsf@thelab.org with questions.

Arto Lindsay (b. 1953 Richmond, VA, lives and works in Rio de Janeiro) has stood at the intersection of music and art for more than four decades. As a member of DNA, he contributed to the foundation of No Wave. As bandleader for the Ambitious Lovers, he developed an intensely subversive pop music, a hybrid of American and Brazilian styles. He has a distinctive soft voice and an often noisy, self-taught guitar style, contrasted frequently with gentler, sensuous Brazilian music themes. Throughout his career, Lindsay has collaborated with both visual and musical artists, including Vito Acconci, Laurie Anderson, David Byrne, Animal Collective, Matthew Barney, Marisa Monte, Ryuichi Sakamoto, Caetano Veloso and Rirkrit Tiravanija.

Recently, Lindsay has been combining music, technology, choreography, and allegorical elements in the form of parades. The first one, "De Lama Lãmina” (Salvador, 2004), a collaboration with Matthew Barney, was followed by "I Am a Man" (Frankfurt, 2008), "Multinatural [Blackout]” (Biennale de Venezia, 2009), and "Somewhere I Read" (New York, 2009). Lindsay’s new albums include "Encyclopedia of Arto,” released in 2014, and "Cuidado Madame,” released in 2017.

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The Dope Elf: Organized Around the Erotics of Doing You In
Oct
1
to Oct 3

The Dope Elf: Organized Around the Erotics of Doing You In

7:30pm doors / 8–9pm performance
Tickets $20 (discounted or free for members)
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Sunday tickets
By purchasing a ticket, you agree that you and all guests are fully vaccinated. Masks will be required inside. The Lab will be limiting attendance to half capacity for all events and providing full refunds / live streaming options for guests who experience symptoms of illness of any kind. Email us at thelabsf@thelab.org with questions.

Written and Directed by Asher Hartman
Performed by Gawdafful National Theater

Disavowal, disgust, dissociation, delectation and death, the slime nectar of change, are the material of a performance that teeters between a theatrical work and a vigil for theater that can no longer hold our grief. Five actors eat the sick body of their sprawling film and performance series The Dope Elf, a satiric trek through the ordinary enactments of white supremacy, power, and delight in harm. Now the select parts are chosen. The belly, the groin, and the underarm are consumed in an agreement to tear at the gelatinous surface that protects actor from character. Asking “Why theater now?” Gawdafful National Theater allows for the seepage of the actors’ lived experience into the theater company’s rehearsed text, risking a theatrical experience that cannot be contained.

The Dope Elf: Organized Around the Erotics of Doing You In is one part of Asher Hartman’s commissioned project. Click here for The Dope Elf presented as six films and an essay and here to read about a prior theatrical presentation at Yale Union.

The Dope Elf was commissioned by Yale Union and The Lab with support from The Phyllis C. Wattis Foundation, the California Arts Council, the Foundation for Contemporary Arts, and VIA | Wagner Incubator Grant Fund.

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