The Lab

The Lab is a nonprofit experimental art and performance space located in the Mission District of San Francisco.


ONO: Sacred Rights for the Godless
Oct
21
to Oct 22

ONO: Sacred Rights for the Godless

Friday and Saturday, October 21–22, 2022
7pm doors / 7:30pm show
Tickets $25 (discounted or free for members)
Get Tickets for Friday
Get Tickets for Saturday

Chicago's underground gospel industrial project ONO premieres two one-hour theatrical performances at The Lab. These performances consider transhumanism, the multiplicity of death, organized religion, and the long arm of colonization. For this project, ONO will be invoking the language, visuals, and performative elements of Protestant tent revivals.

ONO members:
travis
P Michael Grego
Shannon Rose Riley
Rebecca Pavlatos
Dawei Wang
Connor Tomaka
Jordan Reyes

ONO bandleader P Michael Grego and frontperson travis met sometime before 1980, sharing a love for written and spoken word, the transcendent, and the genuine. Through continual poking and prodding, P Michael convinced travis to join him in ONO, whose name derives from shortening “onomatopoeia,” underscoring their desire to create “noise, not music.” P Michael handles the audio and travis the words. Since January 5, 1980, ONO’s roster has changed dramatically, but it always fiercely defends a singular construct, that ONO is a: “Experimental Performance, NOISE, and Industrial Poetry Performance Band Exploring Gospel's Darkest Conflicts, Tragedies and Premises.”

In a deeper consideration of ONO’s genesis, the band is rooted in events hundreds of years earlier. ONO tackles military history, religious history, racial history, geopolitical history, artistic history, and that’s only for starters. travis mentions real, often harrowing events, attaching years and dates, as if history were ever present.

View Event →
Park Jiha
Oct
8
7:30 PM19:30

Park Jiha

Saturday, October 8, 2022
7:30pm doors / 8pm show
Tickets $15 (discounted or free for members)
Get Tickets Now
Mask required for entry

Park Jiha is a multi-instrumentalist and composer who approaches ancient Korean instruments from the perspective of a modern, improvisatory minimalist. Park trained in classical Korean music at National Gugak Center in Seoul, where she encountered the percussionist Won II and his group P'uri and was inspired by their innovations with traditional instrumentation to pursue her own experimental inclinations. During her studies, Park focused on the piri, a double-reed bamboo oboe; she now plays it alongside the saenghwang, a free-reed mouth organ similar to the Chinese sheng and the Japanese shō, and the yanggeum, a type of hammered dulcimer. The colors and timbres of these instruments are alternately metallic and wooden, synthetic and natural. Her compositions embrace the meditative and affective alike, forging a spacious, resonant soundscape of precisely wrought melodic moments.

For these performances, Park will present the live premiere of compositions from The Gleam, released this year on Glitterbeat Records. On this most recent record, Park channels the affects and influences created by light’s shifting presence over the course of a single day. Temporary Inertia, an early composition for the record, responds to self-trained architect Tadao Ando’s meditation room at Museum San in Wonju, Korea, in which a cut across the domed ceiling allows the sun’s rays to penetrate the space as they fluctuate over time. Park’s music tunes its listeners to the subtle textures of emotional states in flux, evoking moments of stillness alongside instances of dramatic transition.

View Event →